Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

During the Joseon Dynasty, lowborn Chae-sun challenges the rule that states only men allowed to sing while navigating devotion to her teacher and the demands of the king's father.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

Sam Born, an ambitious immigrant confectioner, unknowingly finds himself in the crosshairs of a ruthless turf war over the candy business in mid-century America.

New York's hottest club is Taylor Mac's 24-Decade History of Popular Music. This club has everything: countercultural history, off-the-wall interpretations of America's most recognizable tunes, ping pong warfare, giant inflatable penises making love and war to David Bowie's "Heroes," shameless gay melodrama, and of course, MacArthur Fellowship winner Taylor Mac.

Peter Jordan is 33 years old and stuck in a dead end retail job at Super Duper Computers. To make matters worse, he's managed to rack up over $35,000 worth of debt. Student Loans, credit cards, Big Screen TV. His love life is equally in debt. Just when it seems he will never break out of his rut, an old high school buddy named Frehley shows up unexpectedly. Under Frehley's influence...

A behind the scenes look at the making of the classic film, featuring royal interviews with both cast and crew.

Kim Seok Joo (Kim Myung Min) is a cold, calculating lawyer who is vying to become successful at all costs. After a fateful accident causes him to lose his memory, Kim Seok Joo must rediscover who he is as a person and choose whether he will fight for justice or fall back into his old ways. Before the accident, he was engaged to the only grandchild of a wealthy family, Yoo Jung Sun (Chae Jung Ahn), but with no memory of her, he begins to fall for Lee Ji Yoon (Park Min Young), an idealistic intern at his law firm. As he regains his memories, will his heart choose new love or old greed?

Delving into the rise of Asians in Hollywood, in honor of Asian American, Native Hawaiian and Pacific Islander Heritage Month. Featuring interviews with actors Michelle Yeoh and Ke Huy Quan, and Oscar-winning producer Jonathan Wang.

Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.